Titlebook: Royal Court: International; Elaine Aston,Mark O’Thomas Book 2015 Palgrave Macmillan, a division of Macmillan Publishers Limited 2015 Royal

pessimism

失誤

拖債

International Impact and Legacies, invest this much in a group of twelve writers was exceptional and due in no small measure, she speculated, to having the British Council and the Royal Court involved, thereby affording some sort of guarantee as to the success of the venture..

Afflict

International Workshops and Residencies,onsequence of the Royal Court’s first work in Brazil (see Chapter 5), and more recently on her own. She retains fond memories of her experience of working with the Royal Court in both S?o Paulo and London and refers to it as a defining moment in her career as a writer..

繁忙

下垂

,Royal Court: International — Histories and Contexts,ywriting would be significantly poorer. But it is also the space in which another comparatively less acclaimed, or less well known new-writing history has unfolded: this is the space which largely chronicles the Royal Court’s commitment to contemporary plays by international writers.

countenance

解脫

2947-4949 Hours), the playwright Mark Ravenhill, the artistic directoThe first ever full-length study of the Royal Court Theatre‘s International Department, covering the theatre‘s unique programming of international plays and seasons, its London-based residences for writers from overseas, and the legacies of

Asperity

產(chǎn)生

978-1-137-46182-7Palgrave Macmillan, a division of Macmillan Publishers Limited 2015