Titlebook: Shakespeare: Romeo and Juliet; Helen Morris Textbook 1985Latest edition Macmillan Publishers Limited 1985 Britain.history.history of liter

兇猛

, Buddhism, Daoism, and their representative figures, and reviewed the important activities of Mr. Liang’s life, along with Liang’s reflection on his contact with many famous people in the cultural and politica978-3-642-44179-0978-3-642-35816-6Series ISSN 2195-1853 Series E-ISSN 2195-1861

獎牌

Elizabethan Theatre,spectacle when in 1576 the Earl of Leicester entertained Queen Elizabeth at Kenilworth Castle (twelve miles from Stratford) for nineteen days, and people came from all the country round. In 1579 the great cycle of mystery plays was acted at Coventry. Touring companies visiting a town had to give the

巨頭

眼界

infatuation

搏斗

How the Play is Written,t only the very great variety of rhythms which ‘blank verse’ can comprehend, but also Shakespeare’s skill with prose, and with various sorts of rhymed verse (particularly in the first part of the play): couplets, stanzas and sonnets. And in this most lyrical of his plays he wrote several passages wh

古文字學(xué)

Critical Reception,tions, such as whether . is a true ‘tragedy’. Theatre audiences, experiencing the living play, have no doubts. This section introduces the ideas of some twentieth-century critics, whose works are listed on page 85.

磨坊

Elizabethan Theatre,ir first performance before the council, to be approved, and many companies visited Stratford while John Shakespeare was a burgess. In 1583–4 three troupes performed in the Guild Hall, and between December 1586 and December 1587 five companies played in Stratford.

調(diào)整校對

The Play on the Stage,ith ‘monstrous theft’ from .. ‘Romea’ was spoken of in 1599 as a splendid creation of ‘honey-tongued Shakespeare’. In 1623, in the First Folio Leonard Digges wrote that it was impossible.And sure enough, constant productions have proved him right.

外露