Titlebook: Romanticism‘s Debatable Lands; Claire Lamont (Professor of English Romantic Liter Book 2007 Palgrave Macmillan, a division of Macmillan Pu

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ic, and the phrase came to be applied to debates which were intellectual, political or artistic. These debates are pursued in a collection of essays grouped under the headings such as ‘Britain and Ireland‘.978-1-349-35374-3978-0-230-21087-5

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Those Syren-Haunted Seas Beside’: Naples in the Work of Sta?l, Hemans, and the Shelleys20–21 were among the most destabilizing episodes of the era for Britain: Naples was barely within her influence and split between populist and élite politics. To voice the lulls and revolutions in Naples’s ‘debatable lands’, British writers turned to its legendary female voices, the siren Parthenope and the Cumean sibyl.

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Introductionentury in the specific context of the Anglo-Scottish border. It remained the possession of lawyers, historians and map-makers until made more widely known by Walter Scott in the early nineteenth century. Thereafter the term ‘debatable’ came to be used to describe not only the Anglo-Scottish border b

misanthrope

incubus

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The Debatable Borders of English and Scottish Song and Ballad Collectionscall popular culture.. These debates often took place in the prefaces to print collections of British ballads and songs, their editors often associating those ballads and songs with the ‘common people’, in works such as the anonymously edited . (1723–25) and the collections of Thomas Percy, Joseph R

Thrombolysis

Debatable Geographies of Romantic Nostalgia: The Redemptive Landscape in Wordsworth and Cobbett1981 has helped to answer her central question asked in the introduction: ‘in quite what sense is English literature at the end of the eighteenth and the beginning of the nineteenth centuries a product and a part of social experience?’.. In her overview of the field, Butler also cautioned against th

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