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Titlebook: Romanticism, Sincerity and Authenticity; Tim Milnes (Senior Lecturer in English Literature) Book 2010 Palgrave Macmillan, a division of Ma

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書(shū)目名稱Romanticism, Sincerity and Authenticity
編輯Tim Milnes (Senior Lecturer in English Literature)
視頻videohttp://file.papertrans.cn/832/831732/831732.mp4
圖書(shū)封面Titlebook: Romanticism, Sincerity and Authenticity;  Tim Milnes (Senior Lecturer in English Literature) Book 2010 Palgrave Macmillan, a division of Ma
描述The categories of authenticity and sincerity, treated sceptically since the early twentieth century, remain indispensable for the study of Romantic literature and culture. This book, focusing on authors including Wordsworth, Macpherson and Austen, highlights their complexities, showing how they can become meaningful to current critical debates.
出版日期Book 2010
關(guān)鍵詞English literature; Jane Austen; Romanticism; Tennyson; twentieth century; Victorian era; William Wordswor
版次1
doihttps://doi.org/10.1057/9780230281738
isbn_softcover978-1-349-30266-6
isbn_ebook978-0-230-28173-8
copyrightPalgrave Macmillan, a division of Macmillan Publishers Limited 2010
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Book 2010The categories of authenticity and sincerity, treated sceptically since the early twentieth century, remain indispensable for the study of Romantic literature and culture. This book, focusing on authors including Wordsworth, Macpherson and Austen, highlights their complexities, showing how they can become meaningful to current critical debates.
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omantic literature and culture. This book, focusing on authors including Wordsworth, Macpherson and Austen, highlights their complexities, showing how they can become meaningful to current critical debates.978-1-349-30266-6978-0-230-28173-8
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978-1-349-30266-6Palgrave Macmillan, a division of Macmillan Publishers Limited 2010
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The Scandal of Sincerity: Wordsworth, Byron, Landoned to objects, works of art or human subjects, in the context of ontology, epistemology or aesthetics. Although elusive, authenticity has proved an effective and adaptable notion for what we recognize, in the mode of nostalgia or desire, as a free and truthful relation to the world.
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