Titlebook: Romanticism and Blackwood‘s Magazine; ‘An Unprecedented Ph Robert Morrison,Daniel S. Roberts (Reader) Book 2013 Palgrave Macmillan, a divis

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用肘

John Gibson Lockhart and ,: Shaping the Romantic Periodical Pressg Sangrado, be a little more sparing of extenuatives and soporifics in your practice than you have been in your poetry’.. Ironically, some modern critics, passionate about their own subjects, occasionally have been guilty of the same personal attacks that they have criticized in Lockhart’s writing a

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小教堂

Camaraderie and Conflict: De Quincey and Wilson on Enemy Lineseption, and each had a profound impact on the other’s magazine work. What is more, their friendly competitions and highly productive exchanges persisted even when De Quincey defected from . and began to write for the ., for the two publications had a good deal in common despite the bad blood between

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PACT

The Art and Science of Politics in , 1817–1841to modern politics. Debates about sovereign debt in the pursuit of conquest abroad, or the price of reform (whether corn laws or poor laws) at home, provoked much consternation in all the periodicals. In ., although the tone was often bombastic, its rhetoric relied upon several ruling clichés of pol

集聚成團

circuit

The Edinburgh of , and James Hogg’s Fiction, ‘to be published in a city, than which Memphis or Palmyra could scarcely have appeared a more absurd place of publication to any English author thirty years ago’ (II, 166). The comparison is revealing, both the Syrian city-state of Palmyra and Egyptian Memphis eventually losing their vitality when

scrutiny

‘A character so various, and yet so indisputably its own’: A Passage to ,ced Thomas De Quincey in 1827; ‘and it would be too much to expect, that ten years of brilliant writing should dissolve the inveterate associations which almost a century of dulness had gathered about that title’. Yet as De Quincey went on to acknowledge, these associations did not prevent . from ra

注意力集中

Beginning , The Right Mix of Dulce and ùtile publication that finally had found its several voices. It had not been easy. Eight months before, William Blackwood had written to Baldwin, Cradock and Joy, London publishers of his . (April-September 1817), to warn them of their joint venture’s imminent demise: ‘I am sorry to inform you that I hav