Titlebook: Romantic Victorians; English Literature, Richard Cronin Book 2002 Palgrave Macmillan, a division of Macmillan Publishers Limited 2002 desi

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Book 2002e murkiest quarters in recent British literary history. Brimming with intelligent and original perceptions about authors of works that have fallen through literary-historical cracks, Romantic Victorians offers shrewd assessments of their formal and tactical designs.

Veneer

Fashioning Romanticism,ter than the songs of Grecian years’. It had become the first article of the creed to which all poets must publicly subscribe that, as Shelley puts it, ‘Poetry, and the principle of Self, of which money is the visible incarnation, are the God and the Mammon of the world’.

召集

Conclusion, of romanticism’ than the replacement of an erotic love between brother and sister, an incestuous love that can never be socially accommodated, by a love between first cousins that, as Henry Alford found, can enjoy the blessing of the church, the approval of his family, and be happily acknowledged by all his parishioners.

言外之意

Historicizing Romanticism,the latest written of these novels, in 1837, the same year that Carlyle published the three volumes of his ., because Carlyle’s history confronted his readers with a vivid account of precisely the events that Disraeli seems most anxious to exclude from his novel.

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Domesticating Romanticism,oets: their espousal of a sexual freedom that seemed to verge on licentiousness. How is one to imagine poets so devoted to the ideal of marriage as Tennyson and the Brownings responding to, for example, Shelley’s .?

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Introduction, are the years on which the book is focused. It is a shadowy stretch of time sandwiched between two far more colourful periods. In my old-fashioned primary school we were made to memorize the sequence of the English monarchs, beginning with Henry VII. It seems somehow appropriate that the hardest to

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凹處

Historicizing Romanticism,e novels commemorate. It is a paradox that depends on a single manoeuvre: the poets are displaced from their own historical period, and the effect is to dissociate the poets from the one event that makes their politics intelligible. There is, then, a certain appropriateness in the publication of .,

Supplement

Fashioning Romanticism,y repudiated the notion that poetry might be a commodity. Their poems are placed within a world in which the poet is properly rewarded only by a prize that, however rare and costly, has no exchange value, such an object as Landon’s ‘golden violet’. Both grasped the paradox that in order to maintain