Titlebook: Romantic Dynamics; The Poetics of Physi Mark S. Lussier Book 2000 Palgrave Macmillan, a division of Macmillan Publishers Limited 2000 Coler

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Preludium: On Synchronicity, term’s etymological richness, a provocative difference within its linguistic unconscious, in opposition to the latter terms.. The term originates from the Latin ., a combination of .- (pre-) and . (to play); the direct translation, then, is ‘to play beforehand’ in something ‘a(chǎn)s a prelude or prelimi

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,At the Limit of Physical Theory, or Quantum Dynamics in Coleridge’s ,not play dice’ (Gribben . 3) with the universe. Through a well-known series of thought experiments directed to Niels Bohr, the ‘father’ of complementarity, Einstein sought to eliminate what has become known as quantum indeterminacy.. However, Einstein never succeeded in overturning this probabilisti

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,Blake’s Vortex, or The Quantum Bridge in ,elds of relativistic physics and quantum mechanics, as briefly discussed in Chapter 1 (pp. 36–41). This situation seems somewhat ironic, in that Blake has often been considered the Romantic poet most opposed to science, especially empirical and material paradigms associated with Newtonian dynamics.

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,The Rhythmic Universe, or Spatial Dynamics in Shelley’s Poetics,d. The evidence suggests that chronotypology, at least as represented by the modulating registers of time in Byron’s poem, underwent a revolution across the divide of the eighteenth and nineteenth centuries, the periodic range for English Romanticism. However, the relativistic principles embedded wi

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Methodic Sadism/Symbolic Misogyny: Romantic Responses to Science as Ideology,ip, a relationship severely critiqued within Romantic thought — the critical exploration of such relations within Romantic studies is a relatively recent development. Such concerns have emerged through the interdisciplinary application of physical theory to literary processes, resulting in what I ea

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Book 2000to uncover their shared concerns for indeterminacy, uncertainty, relativity, and complexity in a chaotic universe. This interdisciplinary work traces the elaboration of dynamical models of cosmos and consciousness in works by Blake, Byron, Coleridge, the Shelleys and Wordsworth, finding in those wor

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