Titlebook: Roman Love Elegy and the Eros of Empire; Phebe Lowell Bowditch Book 2023 The Editor(s) (if applicable) and The Author(s), under exclusive

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s who actually do the practicing, then at least for those who teach them. Facing reality before deciding on a course of action is often the hardest task for lawyers and their clients. I am thus skeptical of a legal “science” that seeks an ironically and paradoxically abstract positive law of contrac

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2946-3017 presents Roman imperialism in a way that reinforces Rome‘s d.This book explores Roman love elegy from postcolonial perspectives, arguing that the tropes, conventions, and discourses of the Augustan genre serve to reinforce the imperial identity of its elite, metropolitan audience. Love elegy present

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Book 2023to reinforce the imperial identity of its elite, metropolitan audience. Love elegy presents the phenomena and discourses of Roman imperialism—in terms of visual spectacle (the military triumph), literary genre (epic in relation to elegy), material culture (art and luxury goods), and geographic space

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Osiris, Egypt, and Postcolonial Ambivalence in Tibullus 1.7,torically constructed Egyptian ‘Other.’ Despite the frequent inversion of ancient gender roles in love elegy, Tibullus 1.7 aligns the Roman West with masculine power and reinforces Roman imperial control over—and assimilation of—the feminized East.

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Reading Elegy Against the Grain,interests of the Augustan regime with the tropes of Orientalism. After reviewing the various discursive contexts of other genres shaping the rhetoric of elegy, the chapter gives a brief overview of postcolonial approaches to the discipline of classics, and defines the terms “colonialism,” “imperiali

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Osiris, Egypt, and Postcolonial Ambivalence in Tibullus 1.7,of Actium. Tibullus 1.7 treats Egyptian ritual and religion through the lens of elegiac conventions, presenting the god Osiris with ambiguous features drawn from both the . and his .. By presenting Egypt, her gods, and her customs through an Orientalizing discourse, Tibullus’s poem justifies Roman d

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Imperial Luxury and the Elegiac Mistress, Nemesis, Tibullus’s mistress in his second book, and Propertius’s Cynthia, as well as Ovid’s Corinna and the would-be elegiac . of the ., either desirous of or decked out in the exotic, expensive luxuries that came streaming into Rome from its vast holdings across the Mediterranean and beyond. All

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The Elegiac Triumph: Imperial Pomp and Erotic Circumstance,the military hegemony of Rome, when appearing denotatively, but also often metaphorically points to Roman cultural ambition and the corollary disquiet concerning the dangers of philhellenism. Here, the varying identities of the ., at times the lover, at others the poet, and at others still the mistr

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Augustan Visions of Hellenism and Roman Imperial Identity,osing sequence in the poet-lover’s affair with his mistress, Cynthia. These poems again explore Rome’s relationship to Greece and the Hellenized Mediterranean at large—cultural dependency and absorption on the one hand, commingled with military dominance and expansion on the other. Drawing on the wo