| 書目名稱 | Robert Lepage’s Scenographic Dramaturgy |
| 副標(biāo)題 | The Aesthetic Signat |
| 編輯 | Melissa Poll |
| 視頻video | http://file.papertrans.cn/831/830965/830965.mp4 |
| 概述 | Explores Robert Lepage‘s work through the new lens of ‘scenographic dramaturgy‘.Speaks to the theatre-making process from the interdisciplinary perspective of a professional actor and scholar.Offers t |
| 叢書名稱 | Adaptation in Theatre and Performance |
| 圖書封面 |  |
| 描述 | This book?theorizes auteur Robert Lepage’s scenography-based approach to adapting canonical texts. Lepage’s technique is defined here as ‘scenographic dramaturgy’, a process and product that de-privileges dramatic text and relies instead on evocative, visual performance and intercultural collaboration to re-envision extant plays and operas. Following a detailed analysis of Lepage’s adaptive process and its place in the continuum of scenic writing and auteur theatre, this book features four case studies charting the role of Lepage’s scenographic dramaturgy in re-‘writing’ extant texts, including Shakespeare’s .Tempest .on Huron-Wendat territory, Stravinsky’s .Nightingale .in a twenty-seven ton pool, and Wagner’s .Ring .cycle via the infamous, sixteen-million-dollar Metropolitan Opera production. The final case study offers the first interrogation of Lepage’s twenty-first century ‘a(chǎn)uto-adaptations’ of his own seminal texts, .The Dragons’ Trilogy. and .Needles & Opium.. Though aimed at academic readers, this book will also appeal to practitioners given its focus on performance-making, adaptation and intercultural collaboration. |
| 出版日期 | Book 2018 |
| 關(guān)鍵詞 | Robert Lepage; Theatre adaptation; Collaboration; Scenic writing; Auteur theatre; The Tempest; Nightingale |
| 版次 | 1 |
| doi | https://doi.org/10.1007/978-3-319-73368-5 |
| isbn_softcover | 978-3-030-10362-0 |
| isbn_ebook | 978-3-319-73368-5Series ISSN 2947-4043 Series E-ISSN 2947-4051 |
| issn_series | 2947-4043 |
| copyright | The Editor(s) (if applicable) and The Author(s) 2018 |
|Archiver|手機(jī)版|小黑屋|
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