Titlebook: Robert Holdstock’s Mythago Wood; A Critical Companion Paul Kincaid Book 2022 The Editor(s) (if applicable) and The Author(s), under exclusi

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Introduction: Into the Wood,same ideas were expressed in one case in the language of science fiction and in the other in the language of fantasy. It was the use of fantasy that made this a radically different and profoundly influential work.

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War, with war in other ways: it is set just after the Second World War (three of the central characters are veterans of that war and profoundly affected by it), and the mythagos emerge from the context of war at different times in human history (we see prehistoric warriors, Roman invaders, knights in ar

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Time,landscape of Mythago Wood, and affects the way the characters understand what is going on. The irregularity of time within the wood is comparable to the nature of time in storytelling, which ties in with the notion that to enter the wood is to enter into the realm of story, a world from which there

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Myth,t half of the twentieth century; while Steven Huxley, his son, represents a more internationalist movement. Influences from Ralph Vaughan Williams and Alfred Watkins to Carl Jung all come into play in this chapter. The wood becomes an expression both of the distant past and of our more modern ideas

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Robert Holdstock’s Mythago Wood978-3-031-10374-2Series ISSN 2662-8562 Series E-ISSN 2662-8570

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