Titlebook: Robert Burns and the United States of America; Poetry, Print, and M Arun Sood Book 2018 The Editor(s) (if applicable) and The Author(s), un

外形

“On Western Ground”: American Reprints, c.1801–1859views taken from pioneering American periodicals; allowing for new insights into Burns’s early reception among literary circles in New York and Philadelphia. The tendency of American editors—functioning as what Pierre Bourdieu calls “artistic mediators”—to prune source texts by Currie, Allan Cunning

可商量

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“The West Winds”: Burns and American Cultural Memory, c.1800–1866s derived from memory studies. Framed by Jan Assmann’s assertion that cultural memory depends upon objectified “institutions of preservation” (relics, books, anniversaries, statues and several other modes of objectification), the chapter outlines the various processes by which Burns was remembered a

CON

Organization

Afterword: The (Trans)National Poetns’s rise to prominence and subsequent legacy in the USA. Drawing on empirical evidence from previous chapters, Sood underlines how multiple spatialities and temporalities enabled variant conceptions of the “nation” in nineteenth-century America; all of which shaped Burns’s reception and cultural af

Enervate

原始

“Bob’o’lincoms of Our Own”: Burns and American Poets, c.1800–1859eenleaf Whittier (1807–1892). The chapter culminates with analysis of Ralph Waldo Emerson’s commemorative tribute to Burns at the Parker House Hotel, Boston, during the 1859 Burns centenary celebrations.

Epithelium

“Tho’ I to Foreign Lands”: Burns’s Poetry in America, c.1786–1801 James Currie’s ., reprinted in several states from 1801 onwards, arguing that Currie’s “transnational agenda” was hugely influential on shaping Burns’s reputational development in nineteenth-century America.

呼吸

entury Atlantic context.Contributes to transatlantic studies.This book provides a critical study of the relationship between Robert Burns and the United States of America, c.1786-1866. Though Burns is commonly referred to as Scotland’s “National Poet”, his works were frequently reprinted in New York

CLAIM

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