| 書目名稱 | Ritwik Ghatak and the Cinema of Praxis | | 副標(biāo)題 | Culture, Aesthetics | | 編輯 | Diamond Oberoi Vahali | | 視頻video | http://file.papertrans.cn/831/830854/830854.mp4 | | 概述 | Establishes Ritwik Ghatak as an auteur of cinema.Discusses the partition of Bengal and its cinematic representation.Historicises Ghatak within the dynamics and context of the Indian People’s Theatre A | | 圖書封面 |  | | 描述 | In a significant departure from other works on Ritwik Ghatak, this book establishes him as an auteur and a maestro on par with some of the great film directors, like Sergei Eisenstein, Satyajit Ray, Ingmar Bergman, Federico Fellini, Kenji Mizoguchi and Luis Bunuel. Based on in-depth research that follows Ghatak’s journey within the context of the Indian People’s Theatre Association, it fills an important gap in the scholarship around Ghatak by offering crucial insights into Ghatak’s unique vision of cinema embedded as it is in the cultural psychic configurations of the people. It analyses Ghatak’s practice by minutely tracing formal similarities across the language of his cinematic oeuvre in the domain of cinematography, lighting, music, and sound. The book develops the way in which cinematic technique enters the domain of conceptual constructs and abstractions. It moves on to chronicle Ghatak’s political odyssey as reflected in his cinema. Moreover, it charts the manner in whichGhatak, through his cinematic idiom, offers a polemic of cinema that further adds to his notion of praxis – a thoughtful Marxist paradigm organically associated with the culture and context of India. By loc | | 出版日期 | Book 2020 | | 關(guān)鍵詞 | Indian People‘s Theatre Association; Bengal partition; The Cloud-capped Star; Meghe Dhaka Tara; Komal Gh | | 版次 | 1 | | doi | https://doi.org/10.1007/978-981-15-1197-4 | | isbn_softcover | 978-981-15-1199-8 | | isbn_ebook | 978-981-15-1197-4 | | copyright | Springer Nature Singapore Pte Ltd. 2020 |
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