Titlebook: Rights Affecting the Manufacture and Use of Gramophone Records; Willem Mak Book 1952 Springer Science+Business Media Dordrecht 1952 contra

蟄伏

The Legal Status of the Manufacturer of Gramophone Records,in the last place, that we deem him to be a less important link of the chain. On the contrary, the share taken by him in that process is, to our mind, equally important as that of the creative and the performing artist: neither of this trio can be dispensed with.

Synchronism

Conclusion,e have dealt with, only the creative artist enjoys a more or less comprehensive protection in the respective legislations. Consequently we have been able to confine ourselves to only a few points regarding which his legal protection must, to our mind, be either extended or restricted.

協(xié)議

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Lethargic

978-94-015-0308-2Springer Science+Business Media Dordrecht 1952

神秘

Introduction,When dealing, as in this study, with gramophone records, we almost unconsciously think of music. For the number of gramophone records in which music, either vocal or instrumental, does not play a part is quite small. Hence we shall concern ourselves principally with musical records.

ICLE

General Observations on Copyright,When — as is the case here — we have to deal with copyright, we must, before everything else, realize what is the meaning of this term.

Horizon

The Legal Status of the Creative Artist,After our comprehensive review of the author’s exclusive right to exploit his works by means of mechanical instruments, the thought may rise that our discussion of the legal status of the creative artist has come to an end.

phlegm

The Legal Status of the Performing Artist,Anyone having set himself some three quarters of a century ago the task of devoting a treatise to the rights of the performing artist, would certainly not have undertaken an arduous one.

construct

PANG