Titlebook: Richard II; Malcolm Page Textbook 1987Latest edition Macmillan Publishers Limited 1987 Britain.history of literature.literature.British an

本能

What Does the Play Mean to Us Now?Greene places him: ‘If there is one supreme poet of conservatism, of what we now call the Establishment, it is he’ (‘The Virtue of Disloyalty’, ., [Harmondsworth, 1977], p. 606). Colin MacInnes concludes: ‘It is hard … to pinpoint Shakespeare’s moral attitudes, unless to say that he respected formal

多骨

假裝是我

Royal Shakespeare Company, Richard Pasco and Ian Richardson, Directed John Barton, 1973–74 of the company’s directors. RSC programmes, with several pages of quotations, may provide clues to the director’s point of view; more significant, they are the only way in which the production guides its audience to a current perspective on the 1595 view of the late 1390s. This programme had two pa

aggressor

Stratford Festival, Ontario: Three Actors, Directed Zoe Caldwell, 1979or had each played against three different actors, more might have been revealed. Unlike the RSC’s venture, actors did not learn more about one role through ‘inhabiting’ their antagonist. This triple casting could be justified only as spreading the best parts around — and a few diligent audience mem

Gustatory

Royal Shakespeare Company, Alan Howard, Directed Terry Hands, 1980–81ore a mass. A requiem mass. You mourn its going. Both men talk of pilgrimages and God as a court of appeal; thus testing the divinity of Kingship (as Richard does in his murder scene) is challenging God’ (Robert Warden, ‘All the King’s Men’, ., 13 Nov. 1981). Hands added: ‘Kings have been out of fas

暖昧關系

Théatre du Soleil, Directed Ariane Mnouchkine, 1982–84 War, to . placed in 19th-century India, to . . on an island in the Caribbean after World War II. English directors, however, rarely feel able to treat English history in ways that are disrespectful, even if highly imaginative: one exception for . was its transfer to Russia in 1917, noted in Part On

帶傷害

Théatre du Soleil, Directed Ariane Mnouchkine, 1982–84e. It was a French director, Ariane Mnouchkine with her Théêtre du Soleil, who in 1982 offered a greatly transformed ., first at Vincennes, a Paris suburb, then at the Avignon Festival and in 1984 in Los Angeles for the Olympic Games.

灌輸

hedonic

Ledger

R. P. C. Morgan could meet cooling and fresh air requirements. However, in most large cities, the outdoor environment is contaminated with a combination of noise, fine particles, heat and toxic gases. This contaminated environment has a detrimental impact on naturally ventilated buildings due to their lack of filt