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Titlebook: Rewriting, Manipulation and Translator Subjectivity; Translating Chinese Hu Liu Book 2024 The Editor(s) (if applicable) and The Author(s),

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樓主
發(fā)表于 2025-3-21 17:34:38 | 只看該作者 |倒序瀏覽 |閱讀模式
書目名稱Rewriting, Manipulation and Translator Subjectivity
副標題Translating Chinese
編輯Hu Liu
視頻videohttp://file.papertrans.cn/830/829969/829969.mp4
概述Provides a comprehensive study of Goldblatt’s translation of Mo Yan’s work.Examines the production, reception and dissemination of translation.Exposes how Goldblatt translates the novel under the infl
叢書名稱Palgrave Studies in Translating and Interpreting
圖書封面Titlebook: Rewriting, Manipulation and Translator Subjectivity; Translating Chinese  Hu Liu Book 2024 The Editor(s) (if applicable) and The Author(s),
描述.This book presents an in-depth analysis of Howard Goldblatt’s translation of Mo Yan’s .Life and Death Are Wearing Me Out (L&D).. It explores how Goldblatt translates the original novel under the influence of three major manipulative powers: poetics, ideology and patronage, as well as his own subjectivity (translator subjectivity), to achieve his objectives as a literary translator. The author analyses both the translation and its paratext to gain a more complete understanding of Goldblatt’s accomplishments, and examines how Goldblatt rewrites the original text under the influence of various patronage factors, such as the original author, publisher, editor, market expectancy, literary?collaborator, and the target reader. This book provides a comprehensive picture of the production, reception and dissemination of Goldblatt’s translation, exposing the motivations behind his translation in full measure, and it will be of interest to students and scholars of Translation Studies, Comparative Literature and Literary Studies, and Chinese Culture and Literature..
出版日期Book 2024
關鍵詞patronage influence; ideology; Howard Goldblatt; Mo Yan; poetological manipulation
版次1
doihttps://doi.org/10.1007/978-3-031-53529-1
isbn_softcover978-3-031-53531-4
isbn_ebook978-3-031-53529-1Series ISSN 2947-5740 Series E-ISSN 2947-5759
issn_series 2947-5740
copyrightThe Editor(s) (if applicable) and The Author(s), under exclusive licence to Springer Nature Switzerl
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沙發(fā)
發(fā)表于 2025-3-21 21:25:32 | 只看該作者
Rewriting, Manipulation and Translator SubjectivityTranslating Chinese
板凳
發(fā)表于 2025-3-22 02:33:17 | 只看該作者
Book 2024a comprehensive picture of the production, reception and dissemination of Goldblatt’s translation, exposing the motivations behind his translation in full measure, and it will be of interest to students and scholars of Translation Studies, Comparative Literature and Literary Studies, and Chinese Culture and Literature..
地板
發(fā)表于 2025-3-22 06:12:19 | 只看該作者
2947-5740 on.Exposes how Goldblatt translates the novel under the infl.This book presents an in-depth analysis of Howard Goldblatt’s translation of Mo Yan’s .Life and Death Are Wearing Me Out (L&D).. It explores how Goldblatt translates the original novel under the influence of three major manipulative powers
5#
發(fā)表于 2025-3-22 10:40:45 | 只看該作者
6#
發(fā)表于 2025-3-22 14:28:03 | 只看該作者
,A Review of Goldblatt’s Translation of Mo Yan’s Works,detail. Existing research on . has dealt mainly with textual translation analysis, without detailed paratextual analysis, so the influence of patronage factors on the translation process and success of the translation of . has not been adequately determined, something that the present study aims to rectify.
7#
發(fā)表于 2025-3-22 18:19:37 | 只看該作者
,Poetological Factors in Goldblatt’s Translation of ,res of contemporary American English. Analyses reveal poetic manipulation in the translation process, from which we determine that rewriting in favour of the target poetological currents is an effective way to achieve reader acceptance.
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發(fā)表于 2025-3-22 23:05:14 | 只看該作者
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發(fā)表于 2025-3-23 02:25:40 | 只看該作者
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發(fā)表于 2025-3-23 06:17:37 | 只看該作者
Book 2024blatt translates the original novel under the influence of three major manipulative powers: poetics, ideology and patronage, as well as his own subjectivity (translator subjectivity), to achieve his objectives as a literary translator. The author analyses both the translation and its paratext to gai
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