Titlebook: Rewriting White Masculinities in Contemporary Fiction and Film; Josep M. Armengol Book 2024 The Editor(s) (if applicable) and The Author(s

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Masculinity as (a) Representationvative representations of masculinity, as the chapter will also illustrate. By applying masculinity studies to the analysis of both social constructions and literary representations of masculinity, this chapter establishes a dialog between different disciplines—such as sociology and psychology, on t

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品嘗你的人

ry texts and films.Bridges the gap between humanities and so.This book focuses on the construction of hegemonic masculinity as well as its representations in literature, culture, and film. Although white heterosexual masculinity continues to be the dominant model, it remains, paradoxically, largely

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Poststructuralism and the “Death” of the White Malend gendered identities, poststructuralism has challenged the very existence of an (apparently) unitary concept of (white heterosexual) masculine identity. However, much scholarship continues to emphasize the relevance of identity (gender, sexual, and/or racialized) to our lives. Thus, the debate bet

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Masculinity as (a) Representationties, briefly analyzing their origins, as well as their development and latest findings. The chapter then analyzes the new and numerous critical possibilities generated by a rereading of the literature by these studies. Like the issue of men in feminism in general, men’s participation in feminist li

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