Titlebook: Rewriting Humour in Comic Books; Cultural Transfer an Dimitris Asimakoulas Book 2019 The Editor(s) (if applicable) and The Author(s) 2019 L

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Rewriting,me. This chapter shows how generations of philologists, educators, translators, directors and children’s literature adapters have also rewritten Aristophanic plays into Modern Greek, serving specific aesthetic and ideological interests in the journalistic, theatrical and literary fields. Comic book

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Transition to Comic Book Text: A Different Mode of Engagement,ed (in the order written by Aristophanes): ., ., ., . and .. Comic book artists have diversified their texts ideologically and linguistically in songs, register mixes and cultural transpositions in . and .. They have cited (all books) or condensed/discarded (., .) elements of printed translations an

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Poetics of Humour and Translation,rbal motifs convey the comic artists’ intentions to create ., . and ., all in the service of a .. Translators may convey such intentions more or less successfully. Examples from five translations in the Aristophanic series are discussed in this light: . (Bella Spiropoulou), ., . (Kyriakos Haritos),

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Concluding Remarks, imitations in theatre and journalism, to Modern Greek versions for the page or the stage, to adaptations for children are all forms of rewriting. They diachronically signify fulsome acceptance as well as a mature diversification in doing comic business. This chapter returns to the questions posed i

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2947-5740 al norms in a multimodal environment. It will appeal to students and scholars of Modern Languages, Translation Studies, Comics Studies, Cultural Studies and Comparative Literature.?978-3-030-19527-4Series ISSN 2947-5740 Series E-ISSN 2947-5759