Titlebook: Revisiting The Tempest; The Capacity to Sign Silvia Bigliazzi (Professor of English Literature) Book 2014 Palgrave Macmillan, a division of

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書(shū)目名稱Revisiting The Tempest影響因子(影響力)




書(shū)目名稱Revisiting The Tempest影響因子(影響力)學(xué)科排名




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書(shū)目名稱Revisiting The Tempest網(wǎng)絡(luò)公開(kāi)度學(xué)科排名




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書(shū)目名稱Revisiting The Tempest讀者反饋學(xué)科排名

強(qiáng)有力

Robert Henkechende Annahmen finden sich schon implizit in einigen der in den anderen Beitr?gen dieses Buches verwendeten Konzepte. So dürfte sich eine . (insbesondere, wenn sie hinsichtlich der Orientierung gegenüber einer bestimmten sozialen Gruppe wirksam werden soll) kaum g?nzlich isoliert von der ?objektive

生來(lái)

摘要

傳染

insolence

使入迷

Introductionnts of theatrical strain in Shakespeare’s play” (Lindley 2003: 4), among which is the strident interweaving of the spectacular and the narrative which has often been unravelled through a foregrounding of the visual potential of the play and a massive excision of the narrative parts. After all, . is

圖表證明

The Jonsonian ent of Bianca’s exchange with Thorello in .: “sweetheart, come in out of the air. / .: [.] How simple and how subtle are her answers!” (1.4.182–4).. Determined to make Jonson the borrower, so that the repetitions can be accounted for as “Shakespearean phrases, floating in Jonson’s memory”, Musgrove

創(chuàng)造性

幼稚

Shakespeare’s Hypertextual Performances: Remediating , in Company did — with varied performance values and innovative theatrical technologies”, thus testifying to .s role as “a cultural mediator from its inception to the present” (Mason Vaughan 1–2). Each production, the scholar adds, “represents a moment in time, when cultural forces outside the theatre —