Titlebook: Reviewing Romanticism; Philip W. Martin (Field Chair),Robin Jarvis (Lectu Book 1992 Palgrave Macmillan, a division of Macmillan Publishers

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The Politics of the Gothic Heroine in the 1790s,ine of E. S. Barrett’s satire of romance fiction, ., here goes on the attack against the conventional depreciation of the ‘feminine’ novel in favour of ‘masculine’ history (1814, 78). Gender is at the heart of the matter when it is raised again in ., for history, Catherine Morland observes, ‘tells m

ALTER

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Literature and Feeling: New Directions in the Theory of Romanticism, but at least seems to be shaped by pressures external to itself. What kind of a discourse is love? The comparison with a student of the stars — who finds his best instructor in the skies — does appear to propose what we might call a ‘real’, a natural or non-arbitrary basis for the discourse of love

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Romantic Subjects: Shaping the Self from 1789 to 1989,e ‘I’. The Romantic upvaluing of the self and its potentialities is of course both complex and wide-ranging, but it can be conveniently exemplified, in one of its more comprehensive sweeps, by reference to Georges Poulet’s account (written in the 1950s and 1960s) of the French, English and German Ro

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Preparations for Happiness: Mary Wollstonecraft and Imagination,control her surges of Romantic sensibility. There is much to this story of conflict between reason and emotion. Cora Kaplan has drawn attention to Wollstonecraft’s puritanical suppression of sexuality in . and to the illicit Gothic pleasure that haunts the text. Frequently, the construction of Wolls

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