Titlebook: Reviewing Blindness in French Fiction, 1789–2013; Hannah Thompson Book 2017 The Editor(s) (if applicable) and The Author(s) 2017 Braille.D

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Hannah Thompsonduals become secondary inside states. Whether their skin is white or black, whether they originate from Europe or America, whether they are Christian or Muslim, they are considered, first and foremost, from the political point of view, Americans or Canadians.

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2947-7409 d that blind narrators, characters and readers engage with t.Thisbook argues that the most interesting depictions of blindness in Frenchfiction are those which call into question and ultimately undermine theprevailing myths and stereotypes of blindness which dominate Western thought.Rather than seei

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Book 2017vailing myths and stereotypes of blindness which dominate Western thought.Rather than seeing blindness as an affliction, a tragedy or even a fate worsethan death, the authors examined in this study celebrate blindness for its ownsake. For them it is a powerful artistic and creative force which offer

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The French Metanarrative of Blindness, meek and passive victims of their condition. Non-blind characters routinely trick, pity and manipulate blind characters in these typhlophobic fictions of blindness. The chapter ends with an analysis of André Gide’s . which shows how myths of the blind mystic and of sensory compensation emphasize blind protagonists’ otherness.

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