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Titlebook: Return of the Hustle; The Art of Marketing Eric Sheinkop Book 2016 The Editor(s) (if applicable) and The Author(s) 2016 marketing.music.lic

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發(fā)表于 2025-3-21 18:30:28 | 只看該作者 |倒序瀏覽 |閱讀模式
書目名稱Return of the Hustle
副標(biāo)題The Art of Marketing
編輯Eric Sheinkop
視頻videohttp://file.papertrans.cn/830/829310/829310.mp4
概述Critical advice: on extremely high value decision making (up to $500,000 licence fees for major ad campaign).Quality content: definitive, top quality information.Engaging and easy style
圖書封面Titlebook: Return of the Hustle; The Art of Marketing Eric Sheinkop Book 2016 The Editor(s) (if applicable) and The Author(s) 2016 marketing.music.lic
描述Has a commercial ever brought you to tears? Has a movie ever inspired you so much you change your way of life? Has the series finale of a television show ever broken your heart? Has a video game ever altered your perception of reality? .If you‘re like most consumers, you answered ‘yes‘ to at least one of those questions. Whether you remember it or not, the music of that ad, film, show or game probably played a big role in influencing your emotional response during that experience. In fact, music is included in media specifically for the purpose of connecting with audiences on a deeper level that visuals alone cannot access. .A strong music strategy is fundamental to the success of television, film, brands and video games. Because of higher expectations for audiovisual content, it will take more than clever animation or a celebrity cameo to connect with consumers in an authentic, organic way. By providing audiences with a genuine music experience, whether with an exclusive song through an artist partnership or by featuring new music from an emerging band, you can build a bond that extends far beyond product experience. .Music touches us emotionally in a way that words seldom do. We
出版日期Book 2016
關(guān)鍵詞marketing; music; licensing; advertsing; brand
版次1
doihttps://doi.org/10.1007/978-1-137-58202-7
isbn_ebook978-1-137-58202-7
copyrightThe Editor(s) (if applicable) and The Author(s) 2016
The information of publication is updating

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發(fā)表于 2025-3-21 21:35:08 | 只看該作者
https://doi.org/10.1007/978-1-137-58202-7marketing; music; licensing; advertsing; brand
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發(fā)表于 2025-3-22 01:34:41 | 只看該作者
地板
發(fā)表于 2025-3-22 07:11:42 | 只看該作者
Introduction,Every generation in every society in every industry experiences revolution in one way or another, and the music and media industries are no different.
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發(fā)表于 2025-3-22 13:50:52 | 只看該作者
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發(fā)表于 2025-3-22 19:10:23 | 只看該作者
Television,This might be a familiar scene for you …
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發(fā)表于 2025-3-22 21:43:42 | 只看該作者
Eric SheinkopCritical advice: on extremely high value decision making (up to $500,000 licence fees for major ad campaign).Quality content: definitive, top quality information.Engaging and easy style
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發(fā)表于 2025-3-23 02:54:13 | 只看該作者
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發(fā)表于 2025-3-23 08:15:30 | 只看該作者
Conclusion,es of consumers, and to artists. Although it’s easy to see tangible results the marking use of music has on artists, is this enough to fix the music industry, one whose recent decline was so swift, and whose resurrection seems as if it might require a miracle more than a sync deal?
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