Titlebook: Retrospective Poe; The Master, His Read José R. Ibá?ez Ibá?ez,Santiago Rodríguez Guerrero- Book 2023 The Editor(s) (if applicable) and The

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書目名稱Retrospective Poe影響因子(影響力)




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Poe’s Arrival in Europe and the Case of Greece Baudelaire (1821–1867) is a key figure in Poe’s arrival on European shores, and although he was not the first to translate the American’s work in France, Poe’s introduction to a French-reading audience owes much to the Frenchman who spent almost two decades reading and translating his works. Baudel

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“Darkness There and Nothing More”: Edgar Allan Poe and the Popular Culture of Necrolatry and Thanato Edgar A. Poe’s “Berenice,” “Ligeia” and “The Fall of the House of Usher.” In these tales of horror, Poe reflects on the social fascination with death and mourning in nineteenth-century American popular culture. Those social practices emerged and developed as a consequence of the death of children,

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“Poe’s Poetics and Eliot’s Poetry: A Denial of Influence?” his works in his native country. T. S. Eliot’s ambivalent attitude toward Poe’s writing and his perplexity in the face of Poe’s appreciation in Europe is examined in depth. It is argued that Eliot’s condemnation of Poe’s writings is an example of the persistent denigration of Poe by the influential

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Echoes of Poe in the Jazz Age: The Haunting of F. Scott Fitzgeraldt Trip Home” is structurally and thematically informed by his reading of Poe’s “William Wilson.” Correspondences between the settings of the two stories, in addition to the treatment of social presentation and consciousness of selfhood, demonstrate the extent to which Fitzgerald read, absorbed, and

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Beyond Baudelaire’s Views of Poe: Carlos Fernández Cuenca and Josep Farrán i Mayoral, Literary Crition the . of Spain” (Englekirk 1934, ix). As the continuation of the twentieth century would prove, this assessment has been largely corrected, and now Spain is understood as one of the countries in which Poe has had a wide reception in different fields: influencing authors, inspiring artists, offeri

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Reading, Understanding, and Praising Poe’s Illustrated Oeuvre: From Childhood to Old Age how these illustrated editions were intended for a target audience: mature connoisseurs in some cases—not because of their age, but because of their literary background—and mere readers in others. In this sense, it is made evident the role that the book itself—as a material artifact, a little work

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Poe’s “Berenice” in Popular Culture: Contemporary (Audio)visual Representations in Spain several examples of the reception in Spain of Edgar A. Poe’s story, with a particular emphasis on the most violent and unpredictable episode at the end of the narration and on its different (audio)visual representations. In order to do this, some illustrated literary works by María Espejo and Merit