Titlebook: Rethinking the Romance Genre; Global Intimacies in Emily S. Davis Book 2013 Emily S. Davis 2013

Etching

Conclusion: Electronic Affects,get a sense of these issues during our class discussion of the events in Tahrir Square when one of my students explained that she had signed a petition on Facebook about it, even though she did not really know what was going on.

Blemish

Insulin

1980s South African Fiction and the Romance of Resistance,Nelson Mandela.. Sexwale’s claim presents a pithy formulation for a set of tensions I trace in this chapter regarding South African writing in the 1980s. I find troubling the ways in which Sexwale’s statement downplays black oppression and makes black liberation contingent upon white transformation.

moratorium

FEAT

The Gothic Global: Capitalist Excesses, Postcolonial Returns,ook evince a certain interest in the political and aesthetic possibilities of utopian thinking. Key elements of the romance, including the heterosexual couple, are transformed and reimagined in the process, allowing for new versions of both romance and politics. In the next two chapters I turn to te

Irritate

The Intimacies of Globalization: Bodies and Borders On-Screen, fears surrounding bodily intimacy are also a central concern: the . series, in particular the 2001 episode entitled “Badlaa,” and the two contemporary films . (2002) and . (2004).. These visual texts take up key issues associated with globalization: the enormous power of, and damage caused by, tran

貪婪性

SLUMP

觀察

1980s South African Fiction and the Romance of Resistance,iousness. South African writers were naturally compelled to take up this charge in the 1980s, a decade characterized by violent resistance inspired by Steve Biko’s Black Consciousness Movement and by intensified suppression of public dissent.

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