Titlebook: Rethinking the Music Business; Music Contexts, Righ Guy Morrow,Daniel Nordg?rd,Peter Tschmuck Book 2022 The Editor(s) (if applicable) and T

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Melanoma

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Introduction,andemic. We explain why Part 1 features six chapters that concern the impact of the COVID-19 pandemic on the music business, while Part 2 is comprised of six chapters that present original insights into the music business in general. We edited this book in solidarity with the various authors who man

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‘Losing Work, Losing Purpose’: Representations of Musicians’ Mental Health in the Time of COVID-19ing of musicians have been prevalent in popular media over the course of the coronavirus pandemic. Much of the recent research into how musicians have coped emotionally during COVID-19 has been driven by the professional and charitable sectors. This chapter—building on work by Brunt and Nelligan (.

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Digital Transformation in the Music Industry: How the COVID-19 Pandemic Has Accelerated New Businesse development and establishment of creative business innovations. Such innovations are significant because they may positively affect the future of the music industry landscape. Due to this field being a relatively unexplored area of research, particularly in relation to the music industry, there is

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Social ‘Capitalising’ the COVID-19 Pandemic: A Portrait of Three Zimbabwean Female Musicianse government’s role in Zimbabwe’s live music sector, this study examines how social capital impacted the musical careers of three Zimbabwean female musicians during the COVID-19 pandemic. It assesses how these musicians utilised their social capital to traverse their COVID-19 circumstances. I employ

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