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Titlebook: Rethinking Identities Across Boundaries; Genders/Genres/Gener Claudia Capancioni,Mariaconcetta Costantini,Mara M Book 2024 The Editor(s) (i

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發(fā)表于 2025-3-21 18:46:06 | 只看該作者 |倒序?yàn)g覽 |閱讀模式
書(shū)目名稱(chēng)Rethinking Identities Across Boundaries
副標(biāo)題Genders/Genres/Gener
編輯Claudia Capancioni,Mariaconcetta Costantini,Mara M
視頻videohttp://file.papertrans.cn/830/829054/829054.mp4
概述The volume offers an interdisciplinary examination of the significance of border studies in the contemporary world.This book provides an innovative take on the changing genera of borders at the inters
圖書(shū)封面Titlebook: Rethinking Identities Across Boundaries; Genders/Genres/Gener Claudia Capancioni,Mariaconcetta Costantini,Mara M Book 2024 The Editor(s) (i
描述This collection of essays aims to widen the current critique on borders by examining their entanglements with constructions of identity and disciplinary categories. In particular, it calls into question established models of gender, notions of narrative genres and typological genera of borders in today’s literary, artistic, philosophical, and socio-political discourse. The chapters interrogate boundaries and boundary-crossing not only in terms of geographical frontiers and the physical acts of trespassing, but also as discursive constructs that police crossing subjects as?.gendered?.subjects, on the one hand, and identify artistic genres and academic disciplines as?.fixed., sealed-in ways of understanding the world, on the other. Taking inspiration from the multiple meanings of the Italian word?.genere?.(which stands for “gender”, “genre”, and “typology”/“genus” simultaneously), the volume reflects on the gendered, narrative, and typological nature of borders and border imagery, and on the significance and potentialities of crossover phenomena taking place in borderlands, in the fields of arts, literature, anthropology, sociology and philosophy..
出版日期Book 2024
關(guān)鍵詞Border studies; Activism; Artivism; Literary crossings; Identity; Cultural borders; Women‘s writing
版次1
doihttps://doi.org/10.1007/978-3-031-40795-6
isbn_softcover978-3-031-40797-0
isbn_ebook978-3-031-40795-6
copyrightThe Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Switzerl
The information of publication is updating

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,Crossing the Borders of Genders and Genres: Akwaeke Emezi’s , as a World-Making Narrative of Identinative spaces for the reconfiguration of a borderless, fluid entity. Moreover, the crossing of gendered borders within the novel is extended to a crossing of genres, such as the ., the psychological novel, and autobiography, further contributing to the blurring of literary borders. Ultimately, the c
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Mobility, Belonging and the Utopia of a Borderless World: A Spatial and Identitarian Reading of Imbe world based on utopian projects of unbounded mobility and borderlessness. Furthermore, Mbue’s capacious, world-literature novel raises some problems of classification, inviting us to rethink critical boundaries and established literary categories.
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,‘Violent conclusion’ versus ‘hopeful return’: Zadie Smith’s , and the Performative Border-Croestions both the displayed emphatic capacity of a supposedly enlightened North-West public, and the genre and gender conventions characterising Europe’s prevailing identitarian discourse. The complex narrative border-crossing staged by the novella entails the condemnation of perspective insularity i
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,‘This particular art [is] all about walls’: Nomadic Poetics of Identity in Ali Smith’s , is the wall that creates multiple alternative representations of borders, claiming its instability, porosity, and potential as a space of encounter, exchange, and dialogue. Readers need to go through a wall to navigate the liminal space in between and generate cartographies of traces, patterns, and
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