Titlebook: Restaging War in the Western World; Noncombatant Experie Maartje Abbenhuis,Sara Buttsworth Book 2009 Maartje Abbenhuis and Sara Buttsworth

Isolate

Gilt Epaulettes for a Gilded Age: Citizen Volunteers and Martial Culture in Post-Civil War New Yorkugh that hundreds of thousands of young men volunteered for service in the war with Spain in 1898. Most did not see active service, but the vehicles through which they volunteered were the state-based militia organizations that made up the nation’s parttime military reserve, commonly known as the Na

留戀

極大痛苦

From Bedpans to Bulldogs: , and the Pitfalls of Presenting War to the Young,enced pleasant surprise at the visible visual representation of women in wartime that is superficially presented by .. In retrospect, what should not have astonished me was the ways in which this publication, connected to a place of popular memory and memorial, upheld the combat-centric ideology of

POINT

Haphazard

他一致

考古學(xué)

易受騙

Introduction, jazz. Elijah’s current favorite song, because daddy showed him the film clip, is Christina Aguilera’s “Candy Man” from her 2007 . album. Just as disturbing as seeing him mimic the dance moves is the recognition that, even through something as innocuous as a frivolous pop song, he is being exposed t

Density

Gilt Epaulettes for a Gilded Age: Citizen Volunteers and Martial Culture in Post-Civil War New Yorkin the early 1880s, veterans’ reunions, memoirs, and popular histories of the war had begun to influence the development of America’s patriotic culture. By the 1890s, Victorian Americans had eagerly read Civil War memoirs, fiction, and poetry; visited Civil War battlefields; and dedicated public sol

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