Titlebook: Resilience and Responsiveness; Alfred’s Schutz’s Fi Michael Barber Book 2024 The Editor(s) (if applicable) and The Author(s), under exclusi

Adulate

Finite Provinces of Meaning and Responsiveness, Responsibility, and Jazz,siders how the non-social features of the province of music enhance sociality in music. It also shows how the non-social features of play similarly enrich playful sociality as “responsiveness.” A third section highlights the ambivalence of the non-social features of pragmatic everyday life in promot

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Religious/Spiritual Ritual and Intersubjective Responsiveness,ships within and outside ritual, and it demonstrates how ritual music can support such relationships. The chapter discusses how play and ritual converge and differ from each other—a topic widely discussed in anthropological literature. Limiting itself specifically to the Abrahamic religions, with th

bourgeois

可憎

ADORN

FOVEA

Finite Provinces of Meaning and Responsiveness, Responsibility, and Jazz,ing or not responsiveness to others. A fourth section contrasts Emmanuel Levinas’s idea of ethical interpersonal responsibility with Schutz’s account of aesthetic/cognitive responsiveness to others. A fifth section suggests how, in the performance of jazz, responsibility and responsiveness converge, without losing their distinctiveness.

Institution

African-American Folkloric Humor: Resilience, Province of Meaning, Responsiveness,features of the province of folkloric humor—as a careful commentary on one tale illustrates. The tale, though, climaxes in something of a benign approach even to the slave-owner depicted in the tale, as if the responsiveness of folkloric humor culminates in a kind of ethical responsibility even toward one’s enemy/oppressor.

Substance

pacifist

尊嚴(yán)