Titlebook: Researching and Writing on Contemporary Art and Artists; Challenges, Practice Christopher Wiley,Ian Pace Book 2020 The Editor(s) (if applic

終端

Writing Catastrophe: Howard Barker’s Theatreh to articulate a heterodoxical theatre form that has been routinely marginalised by the British theatre establishment, drawing upon primary research composed of interviews and correspondence with Howard Barker and programme notes from The Wrestling School productions.

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MusicArt: Creating Dialogues Across the Artsactices, including the interplay between historical and contemporary artworks and the use of multimedia installation in presentation. Specific case?studies demonstrate how compatible aesthetics and diverse elements both contribute in creating compelling dialogues across the arts.

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verse clinical manifestations. This conjecture has been confirmed, and what has emerged is the identification of two quite distinct syndromes: ATR-16, a contiguous gene syndrome and ATR-X, which results from mutation of a putative chromatin remodelling factor.

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Ethnographic Approaches to the Study of Western Art Music: Questions of Context, Realism, Evidence, social sciences, in particular those provided by Martyn Hammersley, Harry F. Wolcott, Thomas Hylland Eriksen, Tim Ingold and Steven Lubet, which I employ in order to undertake a parallel critique of this body of ethnographic work. Key critical questions relate to dogmatic approaches to methodology a

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When Ethnography Becomes Hagiography: Uncritical Musical Perspectivesetween ethnographer and subjects, I suggest that such an outcome may be inevitable, but that this is much more problematic when the same methods and attitudes are transplanted into a non-colonial context. I find in Bayley and Clarke’s work an almost total eschewal of any other existing literature on