Titlebook: Rereading the Nineteenth Century; Studies in the Old C Igor Webb Book 2010 Igor Webb 2010 Charles Dickens.Jane Austen.novel.British and Iri

Soliloquy

kindred

Pessary

天空

innovation

Toward a Conclusion,ion by reference to some of the work of Frank Kermode and Paul Ricoeur and will use that discussion to retrace and recast my main argument. For both of these formidable thinkers meaning emerges from endings, and I hope to benefit from their analyses as I pursue an ending of my own.

間諜活動(dòng)

Preliminary,om George Steiner’s fine study of fifty years ago, ... Steiner meant to reach back, in 1959, to an earlier (and in his view better) moment and to stand against what he saw as the dominant form of criticism in his day, the New Criticism. Steiner had a fairly specific critical approach in mind as the

BANAL

Reading ,: The Writer and the Reader,e everyday record, as it were, seems mainly a curious mix of complacency and misreading. The complacency is essential to the whole enterprise of reading and has to do with our comfortable, routine, and heedless assumption that we . read something from the past without undue trouble. If we didn’t mak

饑荒

Charles Dickens in America: The Writer and Reality,ime it was first published and that has sustained its reputation ever since—that is, Fact. The very thing that readers have most admired about ., its “self-evident truthfulness,” Dickens seems to say is just not to be found in facts but in the heart and imagination. The contrast between the two book

音樂(lè)等

Narrative and the Problem of Evil: The Writer and Mortality, a work “in its own terms.” One of the most formidable difficulties in attempting to see a work from the nineteenth century in its own terms, I argued, has to do with religion, as the case of . illustrates. Just how does the Christianity of Elizabeth Gaskell, the wife of a Unitarian minister, manife

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