Titlebook: Repression and Realism in Post-War American Literature; Erin Mercer Book 2011 Erin Mercer 2011 America.Amerikanische Literatur.fiction.rea

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,Dubious Reality and the Double: Saul Bellow’s , perception encouraged both by Bellow’s personal statements and interpretations of his fiction. Bellow consistently denied he was a “Jewish writer,” preferring to identify himself as “an American, a Jew, a writer by trade.”. This stance emphasizes his American identity, important during the 1940s an

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,Repression and Confession: Jack Kerouac’s ,,. The sense of disillusionment engendered by the mass trauma of World War II and the personal losses Kerouac suffered during those years—his best friend Sebastian Sampas killed serving as a medic, over 500 of his Merchant Marine colleagues killed in a torpedo strike, his father’s death in 1946—is pa

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,Haunting and Race: Ralph Ellison’s ,,reasingly able to hold combat rather than menial positions, there was continual racial harassment and little opportunity for career advancement. Perhaps even worse was the fact that many soldiers returned home after honorable service to find themselves expected to use separate bathrooms and train compartments.

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Omniscient

,The Familiar Made Strange: Paul Bowles’s ,, membership in the Communist Party during the late 1930s, and his open disavowals of modernity (of which America was perhaps the leading example) seem more likely to promise commercial failure than success. Nevertheless, . (1949) remained on the . bestseller list for 10 weeks in early 1950 and sold more than 200,000 paperback copies in 1951.

Tonometry

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Erin Mercerw Economy z.B. startete zum H?henflug und erlebte z.T. recht schnell ihr Waterloo. Inhaltlich und begrifflich blieb aber insgesamt einiges h?ngen, das sich als zukunftstr?chtig erweisen wird. Dementsprechend wurde das Gabler Kompakt-Lexikon Marketing vollst?ndig überarbeitet und um ca. 300 auf insge