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Titlebook: Representing the Woman; Cinema and Psychoana Elizabeth Cowie Book 1997 Elizabeth Cowie 1997 cinema.female sex.film.psychoanalysis.psychoana

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發(fā)表于 2025-3-21 20:07:45 | 只看該作者 |倒序?yàn)g覽 |閱讀模式
書目名稱Representing the Woman
副標(biāo)題Cinema and Psychoana
編輯Elizabeth Cowie
視頻videohttp://file.papertrans.cn/828/827541/827541.mp4
叢書名稱Language, Discourse, Society
圖書封面Titlebook: Representing the Woman; Cinema and Psychoana Elizabeth Cowie Book 1997 Elizabeth Cowie 1997 cinema.female sex.film.psychoanalysis.psychoana
描述Representing the Woman: Cinema and Psychoanalysis examines the theory and politics of representation in narrative film. Questioning current accounts of cinema‘s pleasures for men and women, Elizabeth Cowie draws on the psychoanalytic theory of Freud and Lacan to propose a new understanding of the relation of identification, fantasy and the drives, and of voyeurism and fetishism to the pleasures of cinema and to the making of the feminine and masculine spectators of film.
出版日期Book 1997
關(guān)鍵詞cinema; female sex; film; psychoanalysis; psychoanalytic theory; women
版次1
doihttps://doi.org/10.1007/978-1-349-25269-5
isbn_softcover978-0-333-66013-3
isbn_ebook978-1-349-25269-5Series ISSN 2947-0188 Series E-ISSN 2947-0196
issn_series 2947-0188
copyrightElizabeth Cowie 1997
The information of publication is updating

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Book 1997f cinema‘s pleasures for men and women, Elizabeth Cowie draws on the psychoanalytic theory of Freud and Lacan to propose a new understanding of the relation of identification, fantasy and the drives, and of voyeurism and fetishism to the pleasures of cinema and to the making of the feminine and masculine spectators of film.
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發(fā)表于 2025-3-22 10:52:28 | 只看該作者
Narrative Positions and the Placing of the Woman Protagonist in , This comment by Penny Hallow in her review of ., a mainstream Hollywood film directed by Michael Crichton and released in 1978,. makes it clear that for her the film is progressive for women, and she enthusiastically welcomes Genevieve Bujold’s role as Dr Susan Wheeler as a positive heroine with whom to identify.
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