Titlebook: Representing Women and Female Desire From Arcadia to Jane Eyre; Marea Mitchell,Dianne Osland Book 2005 Palgrave Macmillan, a division of M

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CLASP

,‘A Scheme of Virtuous Politics’: Governing the Self in ‘Assaulted and Pursued Chastity’ (1656), , (ey otherworldliness associated with ‘romance’. For Oakleaf, the widespread use of the Latinate term can be explained by its ‘safely donnish’ dignity that still acknowledges a preoccupation with sexual love,. though for others it is not dignified enough, the ‘a(chǎn)matory’ label trivializing narratives th

amputation

,Poor in Everything But Will: Richardson’s , it was first published, Richardson’s novel was celebrated for its probing of the ‘inmost Recesses’ of Pamela’s mind,. but the letters also allow Richardson’s heroine to assert a proprietary interest beyond her body and to contest the space of representation.

睨視

Turret Love and Cottage Hate: Coming Down to Earth in , and ,— in volumes small enough to be carried around and read in private, and cheap enough to be purchased from a personal allowance — meant that it was much more difficult to control what was being read.. The realism of novelistic techniques also fostered a literalism in reading strategies, on the part o

爭吵

太空

Agitating Risk and Romantic Chance: Going All the Way with ,?,embodying wish-fulfilling fantasies of sometimes spectacular contrivance. In the latter sense, romance retains some of the transcendent and regenerative aspirations of its chivalric ancestry, in which this supreme passion, typically but not definitively taking the form of love, is capable of recuper

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商業(yè)上

Representing Women and Female Desire From Arcadia to Jane Eyre978-0-230-50437-0

Gratulate

Book 2005e strategies deployed in the representation of female desire in a broad range of fiction from the late sixteenth-century to the early-nineteenth century, discussing key texts such as Jane Eyre, Pamela, Pride and Prejudice and Arcadia