Titlebook: Representing Rape in Medieval and Early Modern Literature; Elizabeth Robertson,Christine M. Rose Book 2001 Palgrave Macmillan, a division

高深莫測(cè)

減弱不好

射手座

Raping Men: What’s Motherhood Got to Do With It?r at random, but “because of their membership in a group .” (“Reflections,” 379, my emphasis). To be treated like a woman in this sense does not derive from “any universal essence or homogeneous generic or ideal type” but results from a “diverse material reality of social meanings and practices…” (“Reflections,” 378).

閃光東本

Dendritic-Cells

Reading Chaucer Reading Rape, his work demonstrates, as Nancy Jones notes, “the puzzling way in which literary texts can open up new spaces then shut them down.”. Chaucer’s audience discovers indeed that the rapes in his narratives are tropes for decidedly alternative purposes than highlighting violence to women. Troping (., f

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Inkling

積習(xí)難改

向外才掩飾

The Daughter’s Text and the Thread of Lineage in the Old French etic self-consciousness. In Ovid’s treatment the myth takes on a specifically self-conscious literary quality. Philomela’s tapestry functions in the . as the symbol for art’s resistance to a barbaric and destructive world that would dismember and silence the self. More recently, feminist interpretat

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“O, Keep Me From Their Worse Than Killing Lust”: Ideologies of Rape and Mutilation in Chaucer’s , anety’s concern with the social and political consequences of sexual access to women. Recorded first by the Roman historian Livy, the story of Virginius and Virginia is a tale of political intrigue intertwined with an additional tale of threatened rape and subsequent murder. Apius, a corrupt judge, de