Titlebook: Representing Auschwitz; At the Margins of Te Nicholas Chare (Lecturer in Gender Studies),Domini Book 2013 Palgrave Macmillan, a division of

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On the Problem of Empathy: Attending to Gaps in the Scrolls of Auschwitz,t Birkenau by members of the Sonderkommando, or Special Squads. Some of these remarkable documents were recovered after the liberation of the camp and are now collectively known as the Scrolls of Auschwitz. In addition to the manuscripts, the men also interred quantities of teeth. These had been ext

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,‘The Dead Are My Teachers’: The Scrolls of Auschwitz in Jerome Rothenberg’s ,the limited number of discussions in the historiography, however, an extraordinary literary response to these documents can be found in Jerome Rothenberg’s long poem . (1989), two sections of which name authors of the Scrolls and quote some of their words directly. This essay argues that Rothenberg’

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Chain of Testimony: The Holocaust Researcher as Surrogate Witness, camp itself, were to be analysed as literary documents, my reaction was an involuntary but resounding ‘no’. Here, in its own way, was surely ‘the surfeit of memory’ that Charles Maier (1993) had talked about. Not only did it seem almost impossible to view the Scrolls as texts when their very materi

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Art as Transport-Station of Trauma? Haunting Objects in the Works of Bracha Ettinger, Sarah Kofman ttinger explores the processes by which an aesthetic encounter — what she names ‘a(chǎn)esthetic wit(h)nessing’ — can become a site of transformation of the traces of trauma that inhabit an individual or a culture in post-catastrophic histories. In this chapter, I want to consider the aesthetic and the ps

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