Titlebook: Representations of Science in Twenty-First-Century Fiction; Human and Temporal C Nina Engelhardt,Julia Hoydis Book 2019 The Editor(s) (if a

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空氣傳播

Book 2019s, but also poetry, film, and drama. The ten case studies, covering a range of British and American texts from the late twentieth to the twenty-first centuries, reflect the diversity of representations of science in contemporary fiction, including psychopharmacology and neuropathology, quantum physi

SUGAR

Introduction: Connectivities Between Literature and Science in the Twenty-First Century,nectivities’ and locates these in contemporary criticism, including conceptualisations of returns to realism and ethics, unbroken interest in the past and the future, and renegotiations of the traditionally speculative views of science fiction and its relations to mainstream literature.

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SLUMP

,Genealogies of Genetics: Historicising Contemporary Science in Simon Mawer’s , and A.S. Byatt’s ,h which the two novels historicise genetic science, Hamann offers an original perspective on how the aesthetics of the two texts inform and are informed by their investigation of scientific epistemology.

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腐爛

,Thomas Pynchon’s , and the Technologies of Modernism,isations of technology by Walter Benjamin and Friedrich Kittler. It shows that Pynchon juxtaposes Divisionism—a school of painting influenced by scientific investigations into colour such as Ogden N. Rood’s .—with Kit Traverse’s embroilment in Futurism and Fascism.

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Identity, Memory, and Technoscientific Ethics: Limits, Edges, and Borders in ,ts relationship to sexism and other oppressions. In the play, this weapon development symbolizes and creates a modernity defined by apocalypse, as part of a tradition of critique which spans from Virginia Woolf and Mary Borden to Barad and Haraway.

陰謀

Introduction: Connectivities Between Literature and Science in the Twenty-First Century,t introduces the notion of ‘connectivities,’ understood to capture actual states as well as possibilities for connection, and distinguishes it from, respectively, the concepts of ‘two cultures’ and ‘networks’ to allow fresh and unburdened views on representations of science in contemporary fiction.