Titlebook: Representations of Peace and Conflict; Stephen Gibson,Simon Mollan Book 2012 Palgrave Macmillan, a division of Macmillan Publishers Limite

現(xiàn)存

inferno

OVERT

仇恨

The Representation of Conflict in Modern Memory Workiple ways, from neuroscience to feminist writing. For the purpose of this chapter, the phrase refers to a concept derived from literary criticism, which has now also passed into cultural–historical work on collective (cultural or social) memory. It is an analytical construction that is more than the

filial

War and Peace in the Cloakroom: The Controversy over the Memorial to the Women of World War IIitehall (see Figure 13.1). Every aspect of this memorial was controversial. As ‘the most public component of the material culture of war remembrance’ (Moriarty, 1997, p. 655) war memorials represent conflict in the context of – or even in the service of – peace. Memorials create interfaces between t

自然環(huán)境

The Return of the ‘Conchie’: Newspaper Representations of Conscientious Objectors and Pacifists in W by the state and the press during 1939–1945, compared to 1914–1918. Such discussions frequently assume that there was a state-dominated and monolithic approach by themedia to such issues.Both assumptions are questionable.

使無(wú)效

‘Unexpected’ and ‘Inclusive’ Social Identities in Intractable Conflict: The Case of Northern Irelandor Basque and Spanish) and negatively interdependent (Kelman, 1999). However, even in situations of violent inter-group conflict and highly pervasive social divisions, other identities and categories coexist and the literature can be criticized for overemphasizing unitary social categorizations.

Tractable

‘Quakers in Khaki’: Conscientious Objectors’ Resistance to Uniform Clothing in World War I Britain had Christian objections to the taking of life (Rae, 1970). The Friends Service Committee (FSC) was set up to help British Quakers to resist compulsory military service, but the introduction of conscription gave their position even more prominence, making membership of the Society the best-known reason for objection.

陳腐的人

Soldiers’ Photographic Representations of Participation in Armed Conflictl and tactical use of surveillance photography and the use of photographs as a communicative tool for military personnel. We then go on to look at how photographs themselves, as material objects, have specific functions for military personnel as they move through and beyond their military lives.

諷刺