Titlebook: Representations of France in English Satirical Prints 1740-1832; John Richard Moores Book 2015 Palgrave Macmillan, a division of Macmillan

Entirety

Food, Fashion and the French,ir own political implications and the two are not easily separable. Fashion and food were two of the most prominent themes used to define France and implicitly or explicitly celebrate the comparatively superior conditions in England. Yet such portrayals also betray empathy for the French people alon

五行打油詩

Kings and Leaders,primarily kings, and later Napoleon who was accused of aspiring to be a king in all but name. Religious leaders also featured, usually depicted as generic malicious or gluttonous monks, although their appearances became less frequent in the second half of the century, a phenomenon that undermines th

調(diào)味品

浮夸

Revolution,ed from skinny fops into savage Jacobins, it was at this moment that the French appeared at their most abhorrent. It was also, however, the point at which domestic anxieties were at their highest, there remained certain continuities with previous representations, sympathy was not entirely transferre

GAVEL

游行

Conclusion,ng to contemporary political events both as home and abroad, the obsession with France was particularly potent during the eighteenth century and early years of the nineteenth. As France’s wealth, power and influence had eclipsed those of other prominent nations such as Spain, this attention was fed

Cytology