Titlebook: Representation and Black Womanhood; The Legacy of Sarah Natasha Gordon-Chipembere Book 2011 The Author(s) 2011 Africa.Narrative.poetry.spa

Lumbar-Stenosis

Venusricatures, to scientific writings, to ballads and vaudevilles. It is through this heterogeneous ensemble of texts that the image of the “Hottentot Venus” was cemented in the European collective imagination, in a way that made her “other” and yet “entirely knowable and visible” (Bhabha 1994, 71).

流浪者

Oafishness

“Body” of Evidence: Saartjie Baartman and the Archiveof woman I had wanted to be when I was five years old. I saw women like that everywhere: carrying babies on their backs; crossing the street with loads on their heads; sitting in chairs on their verandahs watching the world pass by; laughing at the corner of a dusty road; arguing with husbands at th

Outspoken

使更活躍

arbiter

Placing and Replacing “The Venus Hottentot”: An Archeology of Pornography, Race, and Powerct between the government of Egypt and the Louvre concerning the return of fragments of ancient Egyptian frescos. The thrust of the article was twofold: to examine the value of “plundered art and antiquities” and the conflicts their contested ownership created. Baartman appears as number four on the

眼界

手工藝品

Venus relations of dominance can be reproduced independently of contexts of political and territorial occupation. Within the very heart of Western civilization, her body became the equivalent of a far away land to conquer and rule, conveniently transformed by the “cartographers” of the race into a morbid

cleaver

Maru , Our Sister Killjoytman exemplify European attempts to consolidate white supremacist discourses of race as facts of science. Indeed, in the life and death of Sara Baartman, science was the overwhelming mechanism through which she was racialized, gendered, and sexualized. As Pamela Scully and Clifton Crais discuss in t

和平主義者