Titlebook: Renaissance Drama and a Modern Audience; Michael Scott Book 1982 Michael Scott 1982 drama.history.history of literature.literature.Renaiss

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使害羞

Volpone,Reviewing the Peter Hall–Paul Scofield . at the National Theatre in 1977 John Barber commented:

Credence

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The Changeling,her however to whom it is that she appears as a beast. It is certainly not to De Flores since Beatrice has provided him with an ecstasy and purpose of existence. Her bestiality is rather one perceived by herself and the Alicante society to which she belongs:

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Dr Faustus,austus as a character ostensively –uffers from a massive confidence trick partly of his own making, –artly of the devil’s. But what is the significance of his ‘tragical history ’ to us the audience? Are we, too, tricked into delusions, false assumptions and erroneous conclusions? Are we in fact aske

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Measure for Measure,ation whilst its theme on the measure of justice is handled with a structural artificiality which jars both on stage and page. Yet paradoxically the play seems to be immensely popular with directors, actors and audiences and has received numerous productions on the post-war British stage, with the 1