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Titlebook: Remembering and Rethinking the GDR; Multiple Perspective Anna Saunders,Debbie Pinfold Book 2013 Palgrave Macmillan, a division of Macmillan

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樓主: antihistamine
41#
發(fā)表于 2025-3-28 14:57:55 | 只看該作者
Colour and Time in Museums of East German Everyday Lifeseums documenting so-called ‘everyday life’. This term (‘DDR-Alltag’) is widely used for those areas of East German life which, while subject to varying degrees of political and ideological pressure, were, for most people, free of state violence: the home, the workplace and leisure time. Even if Fed
42#
發(fā)表于 2025-3-28 20:24:12 | 只看該作者
43#
發(fā)表于 2025-3-29 02:08:56 | 只看該作者
44#
發(fā)表于 2025-3-29 06:29:11 | 只看該作者
‘We were heroes.’ Local Memories of Autumn 1989: Revising the Past published and various films and television documentaries were made. But memory activities were neither restricted to the media nor exclusively a top-down phenomenon. Autumn 2009 saw commemorative events taking place throughout the whole of eastern Germany; cities from Plauen to Rostock and from Erf
45#
發(fā)表于 2025-3-29 09:57:08 | 只看該作者
Re-Imaging the Niche: Visual Reconstructions of Private Spaces in the GDRlived in the GDR or not, this question would probably conjure up visual representations belonging to a well-known stock of media images which, through continuous repetition, have become iconic for the country and central to the production of historical knowledge.. Propelled forward by the growing me
46#
發(fā)表于 2025-3-29 14:01:42 | 只看該作者
47#
發(fā)表于 2025-3-29 18:49:45 | 只看該作者
The GDR and the Memory Debateal concepts in a changing global landscape of remembrance in which understandings of what constitutes knowledge of the past and what it means to relate to the past in a meaningful way have shifted radically.
48#
發(fā)表于 2025-3-29 22:08:23 | 只看該作者
Doppelg?nger in Post-, Literature: Klaus Schlesinger’s , and Beyonditerature). By situating the text within the author’s . and relating it to other exemplary Berlin novels published around the turn of the millennium it also demonstrates the afterlife of narrative techniques which may be described as ‘typical of the GDR’ in post-. Berlin literature (i.e. memory . GDR literature today).
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