Titlebook: Remembering Dennis Potter Through Fans, Extras and Archives; Joanne Garde-Hansen,Hannah Grist Book 2014 Palgrave Macmillan, a division of

Axon895

Introduction: Television as Heritage,on workers and the voices of a community whose cultural heritage incorporates television history. The voices of fans who remember programmes and interactions, voices of audiences who seek to remember their television history and the memories of extras who worked on location and remain in the region

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Potted Potter: The Impact of Dennis Potter Locally, Nationally and Internationally,8) and W. Stephen Gilbert (1995). In updating the Potter legacy, this chapter investigates the relationship between his television productions in the Forest of Dean and audiences at home and in the United States. It begins by considering underexamined production processes (such as the use of extras

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,Potter’s Extras: Below-the-Line Production Memories, little sustained work on extras. This chapter’s focus on extras will generate one of the most useful perspectives in this respect. The most significant strength of this book as a whole is the ‘blueprint’ it promises to offer for media researchers who explore local creativity (through memory work) f

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Invigorate

seruting

,Potter’s Extras: Below-the-Line Production Memories,or the purposes of historical media research. This chapter presents the research data from oral history interviews, artefact analysis, personal written archives and digital storytelling undertaken by the authors.

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,Potter’s Fans: From Hyperlocal to International Fandom,nue to respond to the work of Potter. The proximity of the authors to the region and by drawing on interviews from fans in the United Kingdom and the United States means this chapter presents empirical research that suggests ‘hyperlocal’ fandom exists alongside international fandom.

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