Titlebook: Religion and the State in Turkish Universities; The Headscarf Ban Fatma Nevra Seggie Book 2011 Fatma Nevra Seggie 2011 identity.Institution

燦爛

The Headscarf Ban Policy in Its Political, Social, and Educational Context,luding the challenges policymakers face in Turkey. Later, the chapter provides a historical background about the higher education headscarf ban policy and discusses some of the issues emerging from its existence. I conclude the chapter by presenting the conceptual framework I used in the study.

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Discussion and Reflections,rst dropped out of university as a result of the headscarf ban but later returned to complete their studies were also included. This diversity added to the strength of the sample and the power and usefulness of the findings.

GNAT

2945-7017 utions in Turkey. The term ‘part-time unveiler‘ refers to undergraduate female students who cover their hair in their private lives but who remove the headscarf while at a Turkish university.978-1-349-29283-7978-0-230-11764-8Series ISSN 2945-7017 Series E-ISSN 2945-7025

PHON

The Research and the Researcher,ional and Cultural Experiences of Part-Time Unveilers” (Seggie, 2007a), when I was a Ph.D. candidate at Michigan State University in the United States. This chapter gives a brief overview about the research and the researcher, including some information about the methods and procedures of the resear

dithiolethione

The Headscarf Ban Policy in Its Political, Social, and Educational Context,irst, I explore the macro-drivers of the policyh—that is, secularism, religion and identity, gender and class, and democracy in Turkey. Next, I move on to explain some of the policy-related features of the higher education system and elaborate on the way higher education policies are formulated, inc

Fretful

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Discussion and Reflections,nces in Turkish public universities. Part-time unveilers who participated in the study had diverse backgrounds in terms of age, SES, family life, and the schools they attended as well as with respect to their personalities and citizenship, religious, and gender identities. Part-time unveilers who fi

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Offstage