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Titlebook: Regelungstechnik 1; Systemtheoretische G Prof. Dr. Jan Lunze Textbook 2020Latest edition Springer-Verlag GmbH Deutschland, ein Teil von Spr

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樓主: fallacy
41#
發(fā)表于 2025-3-28 17:51:42 | 只看該作者
42#
發(fā)表于 2025-3-28 19:11:42 | 只看該作者
Jan Lunzepast, the movie industry is adapting much-loved ‘iconic’ TV series for the big screen” (xv). And Reynolds does not stop there. In addition to these “visibly fevered zones of retro-mania,” he discerns other areas of cultural .-production: retro fashion, retro toys, retro games, retro food, retro cand
43#
發(fā)表于 2025-3-28 23:07:12 | 只看該作者
Jan Lunzepast, the movie industry is adapting much-loved ‘iconic’ TV series for the big screen” (xv). And Reynolds does not stop there. In addition to these “visibly fevered zones of retro-mania,” he discerns other areas of cultural .-production: retro fashion, retro toys, retro games, retro food, retro cand
44#
發(fā)表于 2025-3-29 06:58:50 | 只看該作者
45#
發(fā)表于 2025-3-29 09:12:28 | 只看該作者
Jan Lunzesarily anticipated that there will be any immediate demand for access to that content. In fact, many of the world’s larger film archives have a waiting list of many years between the initial accession of an element, intended purely to safeguard its preservation, and carrying out the further, more re
46#
發(fā)表于 2025-3-29 12:56:51 | 只看該作者
47#
發(fā)表于 2025-3-29 16:35:32 | 只看該作者
Jan Lunzest Regime, through its Ministries of Propaganda, was organizing the negation of artistic autonomy to the soundtrack. As it was revolutionizing its language, film’s newborn component was appropriated and chained to the objectives of the Regime. Though this could not be reversed, it did not prevent a
48#
發(fā)表于 2025-3-29 20:48:41 | 只看該作者
49#
發(fā)表于 2025-3-30 01:53:58 | 只看該作者
50#
發(fā)表于 2025-3-30 07:37:47 | 只看該作者
Jan Lunzeis and archival research to survey the use of themyth and iconography of ancient Greece and Rome in some of stardom’s most popular and fascinating incarnations.?.This interdisciplinary study will be significant for anyone interested in star studies, film and cultural history, and classical reception
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