Titlebook: Referentiality and the Films of Woody Allen; Klara Stephanie Szlezák,D. E. Wynter Book 2015 The Editor(s) (if applicable) and The Author(s

RENIN

“Thank God the French exist”: Exploring the Referentiality of the Formal Elements of Film in ,tapestry that is the life of neurotic writer Harry Block. This film powerfully exudes the sense of referentiality that habitually forms an integral portion of Allen’s work, with the referentiality here being a fundamental component of both the narrative and the formal filmmaking process. This work w

半導(dǎo)體

易彎曲

涂掉

Woody Allen and the Absurdity of Human Existence: Origin, Legacy, and Human Agency in , and ,ally brought forth democracy and the republic (albeit in an oligarchic form), and excelled in mathematics and physics. Plato and Aristotle effectively founded Western philosophy and epic poems such as . and . have had a lasting impact on Western culture, as have, of course, the tragedies penned by A

indemnify

“A full meal with a vitamin pill and extra wheatgerm”: Woody Allen, Dostoevsky, and Existential Moraostoevski and the new ‘Weight Watchers’ magazine on the same plane trip” . 62–67). This humorous piece bears little resemblance to Dostoevsky’s ., yet the protagonist struggles over the existence of God and the problem of theodicy, recurring concepts in Dostoevsky’s works. In . (1992), Gabe (Allen)

vitrectomy

癡呆

Multiple

“Hi Mr. Hemingway”: Time and Space, Travel, and Literary Heritage in , box office, where it grossed over $56 million, making it one of Allen’s commercially most successful films. In Peter J. Bailey’s introduction to his and Sam B. Girgus’s . of 2013, . is treated as a sort of turning point in Allen’s more recent oeuvre (2, 11), and several articles in the collection,

Anthrp

Herd-Immunity