Titlebook: Reference Materials in Measurement and Technology; Proceedings of the T Sergei V. Medvedevskikh,Olga N. Kremleva,Egor P. S Conference proce

GUST

書目名稱Reference Materials in Measurement and Technology影響因子(影響力)




書目名稱Reference Materials in Measurement and Technology影響因子(影響力)學(xué)科排名




書目名稱Reference Materials in Measurement and Technology網(wǎng)絡(luò)公開度




書目名稱Reference Materials in Measurement and Technology網(wǎng)絡(luò)公開度學(xué)科排名




書目名稱Reference Materials in Measurement and Technology被引頻次




書目名稱Reference Materials in Measurement and Technology被引頻次學(xué)科排名




書目名稱Reference Materials in Measurement and Technology年度引用




書目名稱Reference Materials in Measurement and Technology年度引用學(xué)科排名




書目名稱Reference Materials in Measurement and Technology讀者反饋




書目名稱Reference Materials in Measurement and Technology讀者反饋學(xué)科排名

FLEET

agitate

Commission

Morose

Ianina I. Ermakova,Alexander V. Ivanov,Irina N. Zyablikova,Anna N. Shobina she thinks it’s too geeky. Missy hears that the school math club needs more members, but she’s worried about what her friends will think if she joins, and she’s already committed to joining the fashion club..After an epic internal struggle and with the support of her peers and her quirky, loving fa

Foolproof

Fretful

Olga G. Kornilova,Maxim A. Krivykh,Rauza A. Volkova,Igor V. Borisevichrising popularity of crafting in the UK, this research explores what underpins the convergence of this knitting community. To do this, the chapter draws upon crafting literature, where craft has offered therapeutic space for wellbeing, as well as being an outlet for creativity. Adopting social const

BIPED

Elena V. Kulyabina,Olga N. Melkova,Ekaterina A. Guskova,Tatiana V. Grebennikovao the shifting value of clothing both economically and culturally, were unpicked, repaired, restyled or re-fashioned. This is no longer the case. With the main stay of contemporary fashion dominated by transglobal corporations owning multiple brands, the cost of clothing is cheaper than ever before.

多產(chǎn)子

Dmitry G. Lisienko,Margarita A. Dombrovskaya,Eugeniya D. Kubrinao the shifting value of clothing both economically and culturally, were unpicked, repaired, restyled or re-fashioned. This is no longer the case. With the main stay of contemporary fashion dominated by transglobal corporations owning multiple brands, the cost of clothing is cheaper than ever before.

痛苦一生