| 書目名稱 | Reenacting Shakespeare in the Shakespeare Aftermath |
| 副標題 | The Intermedial Turn |
| 編輯 | Thomas Cartelli |
| 視頻video | http://file.papertrans.cn/825/824602/824602.mp4 |
| 概述 | Analyzes contemporary Shakespearean reenactments.Considers the ways in which new media technology affects styles of Shakespearean stage and filmic production.Bridges gaps between Shakespeare in perfor |
| 叢書名稱 | Reproducing Shakespeare |
| 圖書封面 |  |
| 描述 | In the Shakespeare aftermath—where all things Shakespearean are available for reassembly and reenactment—experimental transactions with Shakespeare become consequential events in their own right, informed by technologies of performance and display that defy conventional staging and filmic practices. Reenactment signifies here both an .un.doing and a .re.doing, above all a doing .differently. of what otherwise continues to be enacted as the same. Rooted in the modernist avant-garde, this revisionary approach to models of the past is advanced by theater artists and filmmakers whose number includes Romeo Castellucci, Annie Dorsen, Peter Greenaway, Thomas Ostermeier, Ivo van Hove, and New York’s Wooster Group, among others. Although the intermedial turn taken by such artists heralds a virtual future, this book demonstrates that embodiment—in more diverse forms than ever before—continues to exert expressive force in Shakespearean reproduction’s turning world. |
| 出版日期 | Book 2019 |
| 關(guān)鍵詞 | Shakespeare; Hamlet; Thomas Ostermeier; Annie Dorsen; Romeo Castellucci; Peter Greenaway; Ivo van Hove; The |
| 版次 | 1 |
| doi | https://doi.org/10.1057/978-1-137-40482-4 |
| isbn_ebook | 978-1-137-40482-4Series ISSN 2730-9304 Series E-ISSN 2730-9312 |
| issn_series | 2730-9304 |
| copyright | The Editor(s) (if applicable) and The Author(s) 2019 |
|Archiver|手機版|小黑屋|
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