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Titlebook: Record, Mix and Master; A Beginner’s Guide t Simon Duggal Textbook 2024 The Editor(s) (if applicable) and The Author(s), under exclusive li

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樓主: 板條箱
21#
發(fā)表于 2025-3-25 06:15:14 | 只看該作者
MicrophonesThere are a few different types of microphones. Understanding the differences between them will help you to choose the right type for a particular purpose.
22#
發(fā)表于 2025-3-25 11:18:40 | 只看該作者
Recording TipsWhen recording anything with a microphone, it’s a good idea to leave plenty of headroom to allow for those unexpected loud sounds. For example, if a singer gets too close to the microphone or momentarily sings louder than expected, that extra headroom will prevent the input signal from clipping. 6?dB of headroom should be enough.
23#
發(fā)表于 2025-3-25 14:11:54 | 只看該作者
SubgroupsThere are times when you need to route the outputs of several channels simultaneously to the input of another channel..A subgroup is simply an auxiliary channel that is configured to allow the outputs of other channels to be routed to its inputs. Much like how all of your channels end up going into one stereo master channel.
24#
發(fā)表于 2025-3-25 19:48:42 | 只看該作者
TransientsA transient is the initial attack of a sound—the pluck of a guitar string before the note sustains or the moment a stick makes contact with a drum before the skin resonates..Transients are very short, have a high amplitude and have no tonal information. They usually contain higher frequencies than the harmonic content.
25#
發(fā)表于 2025-3-25 23:56:42 | 只看該作者
26#
發(fā)表于 2025-3-26 03:35:07 | 只看該作者
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27#
發(fā)表于 2025-3-26 07:57:55 | 只看該作者
https://doi.org/10.1007/978-3-031-40067-4mixing music; recording music; audio engineering; music production; digital audio workstation
28#
發(fā)表于 2025-3-26 10:11:20 | 只看該作者
978-3-031-40066-7The Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Switzerl
29#
發(fā)表于 2025-3-26 12:57:13 | 只看該作者
30#
發(fā)表于 2025-3-26 18:53:49 | 只看該作者
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