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Titlebook: Reassembling Pain, Reassembling the Reading of Fiction; An Inquiry into the Eric Baudner Book 2021 The Editor(s) (if applicable) and The A

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樓主
發(fā)表于 2025-3-21 19:35:15 | 只看該作者 |倒序瀏覽 |閱讀模式
書目名稱Reassembling Pain, Reassembling the Reading of Fiction
副標(biāo)題An Inquiry into the
編輯Eric Baudner
視頻videohttp://file.papertrans.cn/823/822514/822514.mp4
圖書封面Titlebook: Reassembling Pain, Reassembling the Reading of Fiction; An Inquiry into the  Eric Baudner Book 2021 The Editor(s) (if applicable) and The A
描述The present book deals with Sarah Kane’s dramatic text Cleansed to show a specific negotiation of violence, pain, life and death – one that is not necessarily causal or dichotomous. Instead, a new mode of reading, based on Bruno Latour’s take on Actor-Network-Theory, helps to make fictional worlds simultaneously intelligible in a mediate and in an immediate way. This results in an unprecedented understanding of how language can influence and modify ontological configurations. Eventually, this allows for a re-evaluation of political problems that occur in the 20th and 21st century.
出版日期Book 2021
關(guān)鍵詞In-Yer-Face Theatre; Sarah Kane; Cleansed; Actor-Network-Theory; Contemporary British Drama
版次1
doihttps://doi.org/10.1007/978-3-662-62624-5
isbn_softcover978-3-662-62623-8
isbn_ebook978-3-662-62624-5
copyrightThe Editor(s) (if applicable) and The Author(s), under exclusive license to Springer-Verlag GmbH, DE
The information of publication is updating

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沙發(fā)
發(fā)表于 2025-3-21 23:06:20 | 只看該作者
Reassembling Pain, Reassembling the Reading of Fiction978-3-662-62624-5
板凳
發(fā)表于 2025-3-22 02:34:00 | 只看該作者
is not necessarily causal or dichotomous. Instead, a new mode of reading, based on Bruno Latour’s take on Actor-Network-Theory, helps to make fictional worlds simultaneously intelligible in a mediate and in an immediate way. This results in an unprecedented understanding of how language can influenc
地板
發(fā)表于 2025-3-22 04:54:45 | 只看該作者
Book 2021essarily causal or dichotomous. Instead, a new mode of reading, based on Bruno Latour’s take on Actor-Network-Theory, helps to make fictional worlds simultaneously intelligible in a mediate and in an immediate way. This results in an unprecedented understanding of how language can influence and modi
5#
發(fā)表于 2025-3-22 09:45:48 | 只看該作者
6#
發(fā)表于 2025-3-22 13:08:35 | 只看該作者
l worlds simultaneously intelligible in a mediate and in an immediate way. This results in an unprecedented understanding of how language can influence and modify ontological configurations. Eventually, this allows for a re-evaluation of political problems that occur in the 20th and 21st century.978-3-662-62623-8978-3-662-62624-5
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發(fā)表于 2025-3-22 20:39:28 | 只看該作者
8#
發(fā)表于 2025-3-23 00:16:47 | 只看該作者
Part II: Ontological Pre-Figuration, characteristics have to be taken into consideration to really understand . and its particular treatment of violence and pain. This textual pre-figuration, including the polyphonic resonance of descriptions and spoken words, is now settled.
9#
發(fā)表于 2025-3-23 02:53:20 | 只看該作者
Part III: How to Reassemble Reading,used to underline the artificial separation of text, ontology and reader. The result has been a clear view on the sphere in which the beings of . can actually exist. But this separation was only temporary.
10#
發(fā)表于 2025-3-23 06:05:24 | 只看該作者
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