Titlebook: Reappearing Characters in Nineteenth-Century French Literature; Authorship, Original Sotirios Paraschas Book 2018 The Editor(s) (if applica

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Aura231

Book 2018f characters in the work of canonical authors and their reappearances in unauthorised appropriations, such as stage adaptations and sequels, this book discusses a series of issues that have shaped our understanding of authorship, originality, and property.

昏暗

Encephalitis

四溢

煩躁的女人

Sotirios Paraschasnken sich nicht mehr regulieren lassen und wir in eine ?Denkfalle“ tappen, aus der wir nicht mehr herausfinden? Es gibt charakteristische Denkverzerrungen, die zur Entstehung und Aufrechterhaltung von Zwangsst?rungen beitragen k?nnen. Die Kunst ist es, diese immer wiederkehrenden Denkfallen zu erken

盡管

Book 2018d perspective: that of the twin history of the aesthetic notion of originality and the legal notion of literary property. While the reappearance of characters in the works of canonical authors such as Honoré de Balzac and émile Zola is usually seen as a device which transforms the individual works o

Reverie

,Introduction: ‘La littérature ruminante’,ontext of the broader transformation of the notion of the fictional character. While, by the beginning of the century, characters are seen as original creations, intimately connected to their author, they are not protected by literary property law; they are considered to be ‘ideas’ which cannot be t

agenda

‘Le revenant littéraire’: Balzac and the Reappearance of Characters as a Strategy of Re-appropriatioen as Balzac’s response to a specific kind of unauthorised appropriation which was becoming a rapidly growing threat to authorial property in Balzac’s time: the appropriation of his plots and characters by playwrights who staged adaptations of his works—and which Balzac considered to be instances of

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