| 書(shū)目名稱 | Realism, Myth, and the Vernacular in Pasolini‘s Film and Philosophy | | 副標(biāo)題 | Beyond the Middle-Cl | | 編輯 | Max Ryyn?nen | | 視頻video | http://file.papertrans.cn/823/822362/822362.mp4 | | 概述 | Provides a new holistic reading of Pasolini‘s adventures in philosophy and the arts.Contextualizes Pasolini‘s work within the history of popular cinema.Reads Pasolini as a cultural philosopher | | 圖書(shū)封面 |  | | 描述 | .Pier Paolo Pasolini’s lifework has been studied through the lens of queer studies, film studies, poetry, and many other angles, but there are themes that one could still study. This book aims to bring forth a new understanding of Pasolini as someone who worked in various arts, and through appropriating one art with. Max Ryyn?nen shows Pasolini’s importance for not just film and film theory, but more broadly visual studies, art research and even cultural philosophy – where Pasolini can be seen to be a real pioneer in discussing unprivileged margins in the society. Ryyn?nen reads Pasolini not just as a semiotician of film, but also as a cultural philosopher, and argues for that interpretation.. | | 出版日期 | Book 2024 | | 關(guān)鍵詞 | film; Italian culture; Pasolini; realism; myth; film studies; philosophy; aesthetics | | 版次 | 1 | | doi | https://doi.org/10.1007/978-3-031-63467-3 | | isbn_softcover | 978-3-031-63469-7 | | isbn_ebook | 978-3-031-63467-3 | | copyright | The Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Switzerl |
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